Best Heavy Bass Songs (Blow Up Those Subwoofers)

Best Heavy Bass Songs (Blow Up Those Subwoofers)

The selection of the best songs with powerful bass and heavy bass from many music genres, including rock, hip hop, rap, EDM, dubstep, and other styles of electronic music.

The best songs with good bass

The list includes some new songs with good bass, as well as some already classics that bass fans will enjoy. We recommend that you use good subwoofers or good headphones to enjoy these songs with the best powerful and heavy bass.

If you want to make your own songs, you can make songs or beats with free online tools.

List of the 40 best songs with strong basses

  1. DERP by Bassjackers and MAKJ
  2. I Can’t Stop by Flux Pavilion
  3. Best Day Ever by Mac Miller
  4. Starlight by Muse
  5. Sail by Awolnation
  6. Candy Paint by Post Malone
  7. Sun Flower by Post Malone & Swae Lee
  8. Congratulations by Post Malone ft. Quavo
  9. Posing As Me by Umek
  10. God’s Plan by Drake
  11. Rockstar by DaBaby ft. Roody Ricch
  12. Mood by 24kGoldn
  13. Woo-Boost by Rusko
  14. Heartbeat Nneka from Chase and Status Remix
  15. RIP by Rita Ora ft. Tinie Tempah
  16. Tommy’s Theme by Noisia
  17. Sahtijan by Bozo Vreco and Billain
  18. Titanium by David Guetta ft. Sia
  19. Billionera by Otilia Ricii Lompeurs Remix
  20. The Vision Let me breathe by Joker ft. Jessie Ware
  21. Cake by Ivy Lab
  22. Lovin U by Stwo
  23. Vultures by Chee
  24. Breaking a Sweat by Skrillex ft. The Doors
  25. Program by Chase and Status ft. irah
  26. Archangel by Burial
  27. Haunted by Stwo ft. Sevdaliza
  28. Want U by StadiumX and Metrush
  29. Never by Nalestar and Freakpass
  30. Mystery by The First Station
  31. Thief by Ookay
  32. The Search by NF
  33. Right Now by Fabian Mazur ft. Luude
  34. Chinatown by Distinkt
  35. Chronic by Matroda
  36. Horse by Salvatore Ganacci
  37. Dustup by Noisia and The Upbeats
  38. Jaguar by Excision and Datsik
  39. Becoming Insane by Infected Mushrooms and Warriors
  40. Soundclash by Flosstradamus and Troyboi
  41. Rinzler by Daft Punk

DERP by Bassjackers and MAKJ

If you’re looking for a great example of a festival grand hall house, look no further because you won’t find a better representative of this musical sub-genre than this hit, which was created in collaboration with MAKJ and Bassjackers. This song has been played at major music festivals for years, and although its elements are very simple, containing some would say “cheap” musical elements, such as a simple and expected melody, the way this production duo managed to elevate this song. at a higher level it is amazing. Either way, this song is perfect for all festivals, but also for workouts or any other situation where you’re looking for some extra energy!

I Can’t Stop by Flux Pavilion

Although it originated in the early 1990s, Dubstep had to wait 20 years to become a mainstream music style. In 2010, we witnessed a huge change in the electronic music industry. Dubstep, as we know it today, was born. Heavy bass lines rounded off with synths and a range of 138-145 bpm, combined with a simple kick-kick-snare-kick formula that defined the electronic music we’re listening to today.

British producer Joshua Steele, better known as Flux Pavilion, was one of the pioneers of the newly emerging dubstep movement. Influenced by the likes of David Bowie, The Beatles, Frank Zappa, Prodigy and the Chemical Brothers, he decided to explore the dynamics of synthesizer-based bass music. Its screaming synth sound, amplified with sub-bass, led to one of the biggest hits in the early days of mainstream dubstep. It’s pretty clear that the lyrics to “I can’t stop” are just the decorative detail on some masterful synth-building skill that Flux Pavilion created on their own. Many have tried to replicate the sound but it ended tragically.

A simple, melodic build-up is an expected and necessary element in 2000s dubstep success, but the popularly called “drop” was something the first-time listener didn’t expect and that’s why Flux Pavillion made it to this list.

If you like electronic music, we leave you a guide to the best MIDI controller keyboards to make Beats.

Best Day Ever by Mac Miller

Mac Miller was one of the most famous and exposed rappers in modern rap music and hip hop culture. This artist sadly left us young, at 26, but his songs that entertained millions will remain as timeless as the memory of Mac. Mac Miller also liked to experiment with music, which is best seen in this song, followed by a heavy beat, old school style and crystal clear rap, which unlike mumble-rap actually makes sense and is easily recognizable. Mac Miller found his individuality and creative climax fighting current industry standards. The memory of Mac Miller will remain forever, and he will continue to live the songs that he left us and that will be remembered for generations.

Starlight by Muse

Muse is a British alternative rock band with a powerful modern sound that will blow your mind! His basses are heavy, strong and aggressive. This song is from the year 2006, from his album Black Holes and Revelations. The song peaked at number 13 on the UK Singles Chart in its year of release. Also, it reached number 2 on the Modern Rock Tracks chart.

Sail by Awolnation

Awolnation’s Snail is one of the strangest songs on this list. It combines elements of orchestral instrumental music, which we hear on “dotted” synthesizers that define the path of the melody that accompanies us throughout the duration of the performance.

Also worth mentioning is the distorted bass, accompanied by more distorted vocals, and although the song is slow, it takes on a fast and powerful character thanks to that. If you’ve heard other songs by this band, you probably know that they often combine different styles, often including elements of experimental, electronic, and heavy metal music. Awolnation is a band that is a real refresher on the scene, and we can’t wait for their new works! This is a very popular bass song that would definitely make your subwoofers vibrate.

If you like basses, check out our guide to the best cheap basses for beginners.

Candy Paint by Post Malone

Post Malone not only makes music for your Spotify playlist, but you can also listen to it if you watch a good movie like Fast & Furious. But this isn’t the first time Malone’s song has been the soundtrack to a movie! The aforementioned song “Sunflower” was also an on-screen piece of music, and could be heard in the last part of the Spiderman series! This song is a bit slower than the New York-based rapper’s other songs, but it’s just as good, if not better, than the rest of his work. Listening to this song, it’s hard to believe that Malone’s musical beginnings were tied to Heavy Metal music. Like Skrillex, they both ended up in completely different genres than the ones they explored at the beginning of his career.

Sun Flower by Post Malone & Swae Lee

Although this Post Malone song is a little less than 2 years old, because of the style and the arrangement itself, it causes nostalgia for many, as if it had come out before 20 or more years. This work shows absolutely all the splendor of Post Malone’s talent and confirms the fact that he is one of the most versatile artists on the scene who is not afraid to tackle many demanding styles, both in singing and production.

The aforementioned song is proof of the great talent that Malone possesses, but also of the great courage needed to present himself in front of the public with something new, different and fresh. For this reason, Post has become one of the most talented young musicians whose peak of creativity is yet to come. And we can only wait, because we are more than sure that he will also positively surprise us in the future!

Congratulations by Post Malone ft. Quavo

Post Malone is one of the most popular rappers/pop artists of recent times. His fusion of rap music, with elements of RnB, trap, but often rock n’ roll and pop, put him in orbit! Artists like Drake have definitely set new standards in rap music. But it was Post Malone and the like who jumped at the chance and managed to further explore the idea of ​​exploring the idea of ​​multi-dimensional rap music. Malone embarks on the most neurotic tendencies of the generation but also shows a wide range of influences whose roots penetrate the essences of rap, synthpop and hard rock. This song features strong melodies, flashy choruses, and an offbeat mix of instrumental variables.

Check out our review of the best musical keyboards and digital pianos.

Posing As Me by Umek

Dj Umek is a Slovenian DJ recognized by fans of techno and tech-house all over the world. He constantly strives to modernize his arrangements, sounds and production by dancing between genres, so it’s really hard to fit him into any mold. He says that the first productions of his are not only full of mistakes, but most of them are mistakes. Either way, all of this bug chaos seems to have been fixed in a way that sounds pretty new and fresh.

Considering that Umek recorded “Posing as me” in 2006, it is clear that he is an extraordinary artist who, after 30 years of career, can be said to be one of the pioneers of a sound that is not far behind the hits. current in terms of production and creativity. Umek is always looking for new sounds, defying all the existing clichés in the music industry is easily recognizable in «Posing as me». The lyrics of the song itself are also ahead of their time and could very easily be applied to today’s standards of beauty and human concern for them. Remember that the text was written long before the arrival of the selfie generation, so Umek, in addition to being called a visionary in terms of music, can also be seen as a critic of social phenomena even before they appear.

God’s Plan by Drake

Drake is one of the best musicians today. He completely transformed hip-hop music, and no one like him has managed to combine something that seems practically impossible, pop and rap music, with such success. But the successes, the collaborations with other artists and a lot of fans are the best confirmation that Drake has been successful! The song “El plan de Dios” is one of the biggest hits of 2018, but not only because of the song itself, but because of the video that accompanies it. It’s hard to find a person who hasn’t shed a tear over a video of Drake donating money to those who need it most. The poor, the children, the schools, the workers. What can I say but thank you, and that we want other musicians to decide on such a laudable move.

Rockstar by DaBaby ft. Roody Ricch

We’re still in good spirits! DaBaby belongs to a group of new rap artists, and when you consider that he started playing music professionally only 5 years ago, it’s amazing how successful he achieved in such a short time! His biggest hit, “Rockstart,” definitely placed him among the biggest and most popular artists in modern hip-hop culture, and thus brought him collaborations with names like Dua Lipa, Lil Wayne, Camilla Cabello, and many others who regularly occupy the highest positions in the music charts. DaBaby is a refresher on the music scene, one that fans have recognized, and thanks to which we can expect a lot more new music and creative work from this artist’s studio.

You might be interested in our review on the best MIDI controller keyboards for beginner and professional musician producers.

Mood by 24kGoldn

The development of new social platforms like Tik-Tok has opened up countless opportunities for new musicians, and one of those who jumped at the chance was 24kGoldn. At the moment, it is difficult to define what the golden age of hip-hop is as it is still developing, but it has been there long enough that, as in other similar directions, those who create this music are divided into new and old. schools.

The current generation of rappers is generally influenced by three factors: Lil Wayne, Kanye West, and Atlanta. 24kGoldn is part of the new generation of rappers whose role models are very easy to find in these artists, but also among members of somewhat more modern styles represented by artists like Post Malone and the like. And 24kGoldn’s quick success is evidenced by the fact that names like Justin Bieber and J Balvin remixed his song Mood.

Woo-Boost by Rusko

If you google the lyrics to Woo-Boost, here’s what you’ll find: “Wub Wub Wub” Christopher William Mercer, better known as Rusko, is one of the pioneers of mainstream UK dubstep. His reggae-infused dubstep, a result of the mass immigration of Caribbeans to the UK, created a scene that quickly spread from his hometown of York in England to the rest of the world. Rusko’s work has a “happy” sound. Yes, the “mainstream dubstep” formula was still there, but the influence of reggae from traditional Afro-Caribbean rhythms is present in all of his work.

To this day, Rusko is considered one of the greats of the mainstream dubstep industry. Oh, I almost forgot to mention this. Rusko apparently loves chicken. Dont ask me why. Ask him. This is a perfect song to test your subwoofers.

Visit our review on the best DAWs to record music and audio for PC Windows, Mac and Linux.

Heartbeat Nneka from Chase and Status Remix

You probably heard this one. And not because you like the Nigerian music scene (that’s where Nneka is from), or because you like Chase and Status. Chase and Status decided to do a remix of this song (they even bought an electric guitar for this occasion) and came up with one of the biggest hits in the fusion of electronic and rock music of the time.

Simple electric guitar riffs accompanied by Nneka’s great vocal abilities and the London-based duo’s production skills, created a Nigerian-influenced rhythm harmony, emerging UK electronic sound and, at the time, a new emerging sound. that seeks to change the music industry.

RIP by Rita Ora ft. Tinie Tempah

In 2013, Rita Ora released her hit song “RIP” in collaboration with Tinie Tempah, and the lyrics go like this: “Can, can, can, you, feel, feel, feel, feel, my, my, my, my, the heart breaks.”

A song that highlights the incredible voice of Rita with the rhythm of Tinie Tempah. This song has everything you can ask for. It will blow your mind with those melodies and those powerful and heavy bass blasting out of your subwoofers.

Tommy’s Theme by Noisia

Here’s a fun fact. If you put “NOISIΛ” backwards, you will get “VISION”. Noisia is one of the bands that deserve more recognition than they get. For the past 20 years, they have always been dancing a fine line between mainstream music and movement-driven underground music. To this day, you can find his work in the bottom 10k, while some of his hits created 14 million views.

Noisia has always been playing pushing the boundaries of electronic music by including elements of classical music, hip-hop, drum n’ bass, and exploring the technical limits of the music they love to make. That’s what we also find in this song. Creepy, classic choir vocals followed by a creeping bassline created a perfect symbiosis of old and new.

The Neuro-funk sound, live recorded samples and bass progression performed in Groningen, the Netherlands is something that all electronic music lovers love.

If you like making beats, check out our review of the best cheap electronic drum sets for beginners.

Sahtijan by Bozo Vreco and Billain

Bozo Vreco is one of the best vocal artists in the world. He is known for his amazing vocal abilities, especially performing traditional Bosnian music called “sevdalinka”. In recent years, Bozo decided to move away from solo a cappella singing and began to experiment with different types of instrumental music. His unique style and presence are creating a unique experience, and first time listeners usually become fans for life. Nearly androgenic vocal abilities set Bozo apart from a conventional everyday voice, making him a cutting-edge phenomenon. And then we have this guy. Billaine.

Billain is one of the most prolific figures in the Neurofunk music scene. His sound engineering, which by the way is documented on his youtube channel, demonstrates a handful of skills and creative thinking. Live recorded sounds recorded in his home studio by hitting everyday objects with a drumstick (old-fashioned massager, pots, etc.) and modulation, create an almost transformative sound atmosphere. The roots of his dark and exciting sound go back to his admiration for Stanley Kubrick, David Cronenberg, John Carpenter and Katsuhiro Otomo.

Titanium by David Guetta ft. Sia

David Guetta’s “Titanium” is an electro house ballad. Its lyrics sung by Sia talk about inner strength. The review of the song was positive and it was commented that it is one of the most outstanding themes of the Nothing but the Beat album. The song managed to place you in the top 10 in countries such as France, Germany, Spain, Ireland, Netherlands, Australia, Austria, Finland, New Zealand, Norway, Sweden, among others. It also reached the top 20 in Canada and the United Kingdom. A digital download EP was released on Beatport in November 2011 with remixed versions.

Sia’s Fergie-like vocals and strong, powerful and heavy bass lines stand out. Press Play on “Titanium” and enjoy one of the best songs with strong basses.

Don’t miss our guide to the best cheap acoustic drums for adult beginners.

Billionera by Otilia Ricii Lompeurs Remix

You have probably experienced something like this. You are driving in a friend’s car and suddenly you hear a song that takes your attention away. But you have no idea who it could be. Ricii Lompeurs is not a very well known producer. Her production skills are not on the level of Amon Tobin, Pryda or Richard Devine. However, remixes of her often reach tens of millions of views on YouTube. Ricii Lompeurs, primarily a remixer, has recently become one of the pioneers of the “bustle” culture in music.

His style is closest to the Brazilian bass, regularly occupying the top spots on European radio stations and club playlists. The videos that accompany their songs often feature images of beautiful women drifting illegally from Russian streets late at night. The remix of the song “Billionera” by Otilia does not stand out in the production of other works by Ricci. The unmistakable bass “Reese” immediately introduces us to a “build-up” accompanied by Otilia’s singing in Spanish. As expected, followed by a hard and brutal “down” perfect for driving a car at night or jumping in a nightclub. Either way, as long as there is remix material, there will also be Ricii’s great work.

The Vision Let me breathe by Joker ft. Jessie Ware

Joker is one of the most respected producers in the UK electronic music industry. One of the creators of the “Wonky” genre, also known as purple-sound, aquacrunk and laser hip-hop, Joker continues to amaze his listener with each and every track he releases.

Slow but powerful progressions, accompanied by square lead synths, remind us of video game music, but in a heavy, sometimes almost brutal package. His music has an emphasis on frequencies and maneuvering effects that recycle and blend different styles and influences, largely maintaining a dance culture that transcends his early days of producing Grime music. The specific subwoofer makes your style recognizable. It’s not music reminiscent of the mating of two transformers, but it still contains a lot of energy waiting to explode.

Jessie Ware, known for her performances with SBTRKT and Sampha, adds to the idea that Joker has outgrown his status as a bedroom producer and is ready as part of mainstream dubstep culture.

You may be interested in a guide to the best microphones for singing live: cheap and expensive.

Cake by Ivy Lab

The production trio, better known as Sabre, Stray and Halogenix, are well-known British producers who have been entertaining the masses with their atmospheric drum bass hits for years. Now a duo (Halogenix on the left) from north London assembled to explore the British bass scene have been active for years. And they probably produce the hardest sound on this list.

Ivy Lab is difficult to read. The only sure thing when listening to his music is that you can expect the unexpected. And when you expect the unexpected, Ivy Lab makes an effort to sneak up on you from behind again. They often span across musical genres, but the most recognizable sound comes from the UK’s glitch-hop, dubstep and bass area.

Solid dance beats and basslines intertwine with often filtered vocals and synths that have a horror vibe and contribute to the now recognizable horror sound. The emphasis on atmosphere and a simple slow-progressing rhythm pleases the listener’s ear, and occasional touches like breath sounds, vocal manipulations, and synths that only Ivy Lab can incorporate into a piece like this add to a positive impression.

Lovin U by Stwo

The first time I heard Stwo, I knew he only had success ahead of him. Electronic music producers know best how difficult it is to create a simple yet complex sound. Those who do not know, it is better to try. Listening to Stwo, it’s very easy to dissect his work. A simple bass, a kick reminiscent of the light tapping of a pillow, with Roland’s famous chewed-up factory hats, accompanied by vocal samples from the hit Jennifer Hudson and her song “Spotlight” doesn’t promise much.

But just as a good chef makes a masterpiece out of the most basic ingredients, Stwo created a hit whose vibes are responsible for many becoming parents. Slow sexy sound, almost imperceptible transitions and an incredible talent for music production did not go unnoticed. Collaborations with artists like the ’40s, Jaden Smith, and Drake have definitely put Stwo on the map. What awaits us in the future, I do not know. But talents like Stwo have gotten us used to positive surprises, so I expect nothing less than more hits from this Toronto producer.

You may be interested in our guide on the best cheap acoustic guitars for beginners.

Vultures by Chee

South African producer Chee is known for his unique, hybrid and experimental sound. The theme of Chee’s works is very dark and serious in almost every song released, and the music itself, in a production sense, is nothing particularly lighter or brighter. In any case, Chee’s recent records are incomparably darker and harder-sounding than anything he’s recorded so far, largely thanks to the fact that his latest production is technically much simpler.

This does not mean that its sound is worse or of lower quality. Rather, by using fewer sounds, Chee has managed to find a formula that makes his songs sound out of this world. Given the accolades he has received in recent years, many seem willing to invest in him (Deadmau5) and follow his work. Chee’s specific sound, arranged in just a couple of layers, led by somewhat terrifying horror atmospheres, produces a lot of intensity and energy. With the progression of a heavy beat and even heavier growling synths, he unleashes a bass masterpiece with a funky off-beat sound that we love to hear. If he is looking for songs with a lot of bass, this is one that you should definitely add to his playlist.

Breaking a Sweat by Skrillex ft. The Doors

Not many people saw it coming. There is practically absolutely nothing that Skrillex and The Doors have in common. One is the biggest name in dubstep that managed to change the electronic music industry forever, and the other is a rock band from the 60s and 70s. And most likely, the protagonists of this story would never have met. if it weren’t for the team that made the documentary “RE: Generation” that recorded the collaborations of new generations of DJs and producers with authors from completely different genres.

Then Ray Manzarek, Robbie Krieger and John Densmore appear in a behind-the-scenes video, which also brought together J Premier, Mark Ronson, Pretty Lights and The Crystal Method.

The song is a variation on Miles Davis’s “Milestones,” followed by brutal drums and growling synths, underscored by clear, strong sub-bass. Unlike Skrillex’s previous releases, “Breaking a Sweat” is painted in slightly more natural tones, largely thanks to The Doors managing to free the collaboration from the shackles of software-produced sound. While it’s hard to expect to hear more collaborations like this in the future, it’s definitely interesting to hear what two different generations can produce together.

We leave you our analysis of the best cheap XLR and USB Condenser microphones.

Program by Chase and Status ft. irah

Drum’n’bass was born and raised in the UK. Although primarily influenced by the sounds of Jamaican dub and reggae, drum’n’bass’s roots are deeply tied to the UK and can be called its national product. Chase and Status create the most complex forms of Drum’n’bass for the masses. Through years of experimenting in production, Chase and Status have gone through every possible subgenre. The proof is this cooperation with Irah, through which they managed to prove that even the jungle elements are not alien to them.

His tracks full of drums, blasting basses and relentless rhythm are often complemented by collaborations with vocalists. Some of them are Kano, Takura, Plan B, Dalilah and Liam Baily. People who are new to the Drum’n’bass world are likely to immediately come across one of the London duo’s works. And that role seems to be something that the guys from Chase and Status like and enjoy. Going mainstream seems impossible for any Drum’n’bass artist and on the other hand, going underground is really not something we can look forward to. Either way, we’re certainly looking forward to collaborations that remind us that there’s still a jungle groove alive somewhere.

Archangel by Burial

Burial’s song “Archangel” was released in 2007. Like most of his works, Burial’s Archangel is a deeply personal song that through its specific expression evokes another London, dark, rainy and cold. His production is recognizable. Drums run through a bunch of filters reveal an obsession with the sound of a needle dancing on a gramophone record. But Burial’s only obsession is not just sound. His fascination with the game “Metal Gear Solid”, parts of the background music for which he sampled, can also be seen in this song. In the gameplay clip, the main character jumps off the bridge and opens his arms like an archangel, which explains where he got the inspiration for the song title.

His bass lines are heavy, but at the same time gloomy and mysterious, thus creating an almost rainy atmosphere. Although his production skills are completely different from those of a modern electronic music musician, Burial managed to spread his influence on a whole new generation of producers who make liquid and popularly called chill-out music.

The often off-tempo drums are probably not the smartest playlist choice for every DJ, but that’s not what Burial’s music was made for in the first place. Sadness, loneliness and regret are the emotions that come to mind when listening to Burial’s music. As he himself said: “What I want is that feeling when you are in the rain or a storm. It’s a chill at the back of your mind, an atmosphere of hearing a sad and distant sound, but it seems closer, as if it’s only for you”.

You may be interested in the best cheap ukuleles for beginners for yourself or your children.

Haunted by Stwo ft. Sevdaliza

Stwo is one of my favorite producers, but it would be unfair to say that’s the only reason he made two entries on this list. Not me, of course, but this modern masterpiece. The beauty of Stwo’s work probably lies in the multidimensionality and separability of the elements. Each of its sounds is a separate whole and is very easily isolated. Sevdaliza’s voice, which sounds a bit fragile and shy, but at the same time sexy and seductive, completes the composition in which a pure bass is passed through the LFO filter, making it sound a bit “drunk”.

Thus, the slightly deeper, velvety, at the same time penetrating and smooth voice of the Dutch-Iranian singer wins you over already after the first bars of the collaboration. The song is relaxed, melancholic and Sevdaliza’s vocal skills make it almost unreal. A slightly psychedelic interplay of super-clean percussion, heavy kicks, and muted synths weaves us through just over three minutes of this laid-back, casual collaboration. I wish it was longer.

Want U by StadiumX and Metrush

The Hungarian duo, in collaboration with their compatriot Metrush, created one of the most interesting songs last year that somehow went unnoticed. It is very likely that the public accustomed to their previous works under the dome of the progressive house did not react with the utmost skill to the somewhat more serious expression created by this collaboration.

But either way, StadiumX has shown that they are not afraid to step out of their comfort zone and I think they should do it more often. The song begins with simple vocals persistently repeating “All I Want Is You” which elicited a soothing character. Fortunately, already after the first couple of introductory bars accompanied by a deep bass “Reese”, it is clear that this is much more than this.

Perfectly arranged layers of different synths create an atmosphere that, as is often the case, is brought to the boiling point by a bunch of snares. The progressive melody at the center of the song, a great modulated bass, deserves many more views than they have. All in all, this is one of the best bass drop songs out there.

Never by Nalestar and Freakpass

Nalestar’s hit “Never” is a golden bar of what’s currently happening in the EDM world, but with an emphasis on a European approach that is, it’s important to emphasize, a complete opposite of the American one. The emphasis is on simple, clean melodies, high-pitched, often androgenic, clean singing, and the overall musical aesthetic as such, while American EDM still can’t move away from elements of hip-hop, rap, and RnB.

We’re not talking about a typical club hit because “Never” didn’t even try to be that, nor will it be. Nalestar produces music for the everyday listener who, while going about the usual daily tasks, likes to listen to the whisper in the background.

We leave you a great free tool for recording: Camel Crusher VST Plugin.

Mystery by The First Station

The First Station was born in the wrong country. The Russian producer stands out from all the bedroom producers in terms of quality, but he still didn’t go far enough for listeners to recognize his work. The First Station has a unique musical expression that unites elements of deep house, Brazilian bass, trance and the ever-present Trap.

I have to be honest and admit that so far I have not heard a single producer create a fusion of seemingly incompatible genres with such success. Why The First Station didn’t make a breakthrough, I don’t know. Perhaps the answer also lies in the fact that it is not too interested in tapping into Western markets.

His works are marked by an excellent voice and he often uses elements of classical music to create the almost trance-fused atmosphere and sound of the early 2000s. All accompanied by great progressive synths and sound effects that make his work one of the best on this list. In my opinion, this is easily one of the best bass songs out there.

Thief by Ookay

San Diego producer Abraham Laguna was one of the early pioneers of the massive transition from house and dubstep music to trap production. Ookay’s “Thief” is one of the most interesting tracks in recent years. The whole song is reminiscent of some festival full of crowds painted in different colors and strange jewels, and that’s the “feel” from start to finish.

The song was definitely marked by a section led by a great riff played on the saxophone. Also, the bass line, although very simple without too much modulation, did an excellent job of giving this song a festive character. Ookay’s voice is doubled with a “high” version of his own singing, and the use of an arpeggiator makes the song very interesting and full of positive energy.

The Search by NF

NF is currently one of the most popular and listened to rappers. While it’s hard to deny the resemblance between him and Eminem, NF differs significantly from much of the hip hop scene. He is a great lyricist who is special maybe mainly because he doesn’t use the profanity that we are used to in the rap scene. His texts are suitable for all age groups, which is his greatest strength. Therefore, his work attracts a younger audience (rather, his parents).

In his texts, he talks more often about his inner struggles, the battle he wages after his mother’s suicide, and the problems caused by the anxiety disorder he suffers from. The instrumental themes of his are one of the most sought after on the Internet. Combining trap music with elements of classical instrumental music, choir samples, and vocals reminiscent of Eminem is a pretty good formula if you ask me.

Eminem fans who hate his metamorphosis in an artistic sense are sure to love NF and its breakneck lyrics. Oh yes, it is also important to mention the videos that accompany his music. If Eminem decided to redo his “Stan” video, it would resemble NF’s recent work.

Right Now by Fabian Mazur ft. Luude

Fabian Mazur is one of the most important and popular trap producers. You can hear his samples on most current trap productions. Although he has been a little less active lately, Fabián is still considered one of the kings of the emerging trap movement. Clearly, Fabian Mazur draws inspiration from hip-hop and RnB music, which is also evident in his “Right Now”. The song is not a festival hit.

Rather, it is more of a melody that can be listened to to cause a “laid back” mood, although it is full of aggressive and harsh elements. Luude’s vocal performance completely elevated the track and made the transitions almost seamless. Fabian realized something that many producers did not know, and that is that trap is not the new Dubstep and it can be consumed in different ways. Good job!

Chinatown by Distinkt

If someone asks me for the definition of Bass-House, I would answer: Distinkt. Distinkt has a specific sound that doesn’t make much sense at first. His bass lines sound out of tune and the drums and percussion in his songs often seem dated and old-fashioned. But the way Distinkt melds all those virtually meaningless elements together results in something that’s considered the pinnacle of the best bass house production. It’s notable that Distinkt draws heavily from UK-Grime (British-style rap with massive basslines) and doesn’t shy away from it.

The accompanying beats drawn from the jackin’ house and UK garage (just played at a faster bpm), show a lot of promise. We expect a lot from Distinkt and look forward to new audio surprises from this Bristol-based producer.

Chronic by Matroda

Croatian DJ and producer, Matija Rodic, known as Matroda, is one of the most complex sound-producing producers in the EDM industry. It’s hard to find a producer who spends so much time on the technical perfection of each sound. Listening to Matroda’s work, you get the feeling that they were played flawlessly. Each sound has its own story and tells it clearly. Matroda’s music is not designed to be heard inside her apartment.

That may be due to the very character of your music which could make your neighbors angry. He makes music exclusively for festivals and clubs and doesn’t seem to care how many people listen to it on Spotify lying in bed and staring at the ceiling. However, it is not the target audience for Matroda. Matroda’s sound is hard and brutal. She knows how to bring out the wildest energy in people and she does it well. If you yearn for songs to test the quality of the bass, this is a great option.

Horse by Salvatore Ganacci

Salvator Ganacci is one of the strangest characters on the music scene. The Swedish-Bosnian producer regularly entertains and trolls audiences with his performances at music festivals, which in a way has made him more famous than the music he produces. It is important to mention that Salvatore Ganacci is a great producer who is not afraid to take a trip to the past, as he did in the song “Horse”.

Salvatore Ganacci likes to experiment between styles. It is not uncommon to hear different musical styles mixed in his work. Offbeat bass at a fairly fast tempo (146bpm) is something we were hearing in the 90’s, but Salvatore wasn’t scared! Instead, he pulled out an old electronic music formula and created a smash hit accompanied by the slickest video I’ve ever seen. Every class has its clown, EDM is called Salvatore Ganacci and we love him for it!

Dustup by Noisia and The Upbeats

If you are looking for a fast song that will send you into a state of complete delirium where you shake your head like you are at a metal concert, then welcome and look no further. The collaboration between Noisia and The Upbeats has produced one of the most brutal songs of the last 10 years.

Noisia has raised music production in the Drum ‘n Bass industry to a higher level even before these successes. The most brutal drums you can imagine, accompanied by synthesizers that almost imitate the distortion of an electric guitar on steroids, leave no one indifferent.

Noisia was, is and will continue to be a crazy combination of elements not only from electronic music, but also from distant styles of the genre.

Jaguar by Excision and Datsik

Those who know Excision and Datsik know that they are rightly often called one of the pioneers of the BroStep Dubstep subgenre. At a time when Dubstep was experiencing its climax, this duo (not really a duo but often collaborating) dominated the scene. No one had as many killer basses and synths as the Canadian duo. Their releases sold out and the songs were compared to the sounds of “Transformers” mating and alien invasions of earth.

If I had chosen any other collaboration of these two, I would not have been wrong, but I chose the song “Jaguar” because it is different from anything they have produced. Jaguar is a light song that is a bit reminiscent of Daft Punk and Julian Casablancas collaboration and their song “Instant Crush”. However, there are not too many similarities beyond vocal expression, as “Jaguar” is still a more difficult song, but not to the extent that it is digestible by the club audience.

A great mix of generic electric guitars with heavy percussion and a simple saw synth takes us back to the days gone by when dubstep was mainstream.

Becoming Insane by Infected Mushrooms and Warriors

Infected Mushrooms, an Israeli psytrance duo that has been around for almost 30 years, decided to do a reworking of their biggest hit “Becoming Insane”. Although many times they knew how to get out of the “waters of psytrance”, and sometimes even enter unknown areas of different electronic genres such as dubstep, Infected Mushrooms has always had an interesting sound that made them stars in some countries.

Complex synthesized sounds, with frequent flirtations with classical instruments such as acoustic guitar, have defined his style, which is still considered the most complex and gold standard of commercial psytrance music.

The slightly slower version of “Becoming Insane” with Warriors isn’t too different from the original. The outlines and skeleton of the song remained present, with minor changes to the arrangement. Some effects and filters on the voices did not spoil the original version.

It’s pretty clear that the guys from Infected Mushrooms decided to reissue their biggest hit so that a younger audience and those who haven’t had a chance to hear their work can get a taste of their music. Basically a nice try that I appreciate for not straying too far from the remix of the original.

Soundclash by Flosstradamus and Troyboi

At a time of sudden expansion, or rather the transformation of dubstep into trap, Flosstradamus and Troyboi were the best hopes of the emerging genre. Trap has been around before, but it was only with the entry of former dubstep producers that the contours of something we call festival-trap music began to form.

One of the songs that definitely paved the way for all future producers eager to try their hand at the trap arena was Soundclash. Sound shock abounds with deep bass that’s inaudible on standard laptop speakers and fluid tones. The lyrics are irrelevant, they only serve a decorative function in most trap songs anyway, which is also the case here.

As usual, there is a lot of ‘glitch’ effect, which, I think, is the result of Flosstradamus playing. Although a few years have passed since this collaboration, he still often appears at trap and dubstep DJ sets around the world.

Rinzler by Daft Punk

Having already mentioned Daft Punk, it would be nice to include them on the list. Okay, on a remix release, but again. There is not much information about 1788-L. He definitely belongs to the group of producers who like to go unnoticed, so draw attention to what he may be aware of in the end.

Although the original song in the Daft Punk version was created as an instrumental for the movie “Tron: Legacy”, 1788-L completely destroyed the song, and when I say destroyed, I mean it in a good way.

The remix is ​​very dark and powerful, with plenty of powerful synths and energy-popping glitch effects. Admittedly, there aren’t too many similarities between the original and the remix, so don’t expect the spectacle you may have experienced while listening to Daft Punk‘s cover (I’m one of those who likes the remix much better).

Did we miss any powerful and heavy bass songs?

Let us know what you think are the best heavy bass songs out there right now and if we should add to this list.

Other notes that may interest you: The rarest, most collectible and desirable electric guitars in the world.

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